\chapter{Musical symbols} \label{musical-symbols} \idxbothbegin{musical}{symbols} \tablesections The following symbols are used to typeset musical notation. \ifLILY The \LILY\ package provides a large subset of the symbols in this chapter. Note, however, that \LILY\ depends upon the \pkgname{fontspec} package and OpenType\index{OpenType} (\fileext{otf}) fonts and therefore works only with \lualatex\ or \xelatex. \fi % LILY test A simple way to typeset time\index{time signatures} signatures, due to \person{Daniel}{Hirst}, is to attach a superscript and a subscript to an empty math object. For example, \verb|${}^3_4$| renders as ``$\,{}^3_4\,$''. Because superscripts and subscripts are left-justified, some extra padding may need to be added if the beats per measure and beat unit contain different numbers of digits. A 5\,mu space (``\verb|\;|'') vertically centers the ``8'' relative to the ``12'' in \verb|${}^{12}_{\;8}$|~(``${}^{12}_{\;8}$''). For boldface time signatures (e.g.,~``\,{\boldmath${}^4_4$}\,''), consider the boldface-math options presented in \ref{bold-math}. \ifMUSICOG See also \vref{musicography-time-sig}. \fi \bigskip \begin{symtable}{\latexE\ Musical Symbols} \idxboth{musical}{symbols} \label{latex-music} \begin{tabular}{*3{ll}} \X\flat & \X\natural & \X\sharp \\ \end{tabular} \end{symtable} \begin{symtable}{\TC\ Musical Symbols} \idxboth{musical}{symbols} \label{tc-music} \begin{tabular}{ll} \K\textmusicalnote \\ \end{tabular} \end{symtable} \begin{symtable}[WASY]{\WASY\ Musical Symbols} \idxboth{musical}{symbols} \label{wasy-music} \begin{tabular}{*5{ll}} \K\eighthnote & \K\halfnote & \K\twonotes & \K\fullnote & \K\quarternote \\ \end{tabular} \end{symtable} \begin{symtable}[MNS]{\MNS\ Musical Symbols} \idxboth{musical}{symbols} \label{mns-music} \begin{tabular}{*3{ll}} \K[\MNSflat]\flat & \K[\MNSnatural]\natural & \K[\MNSsharp]\sharp \\ \end{tabular} \end{symtable} \begin{symtable}[FDSYM]{\FDSYM\ Musical Symbols} \idxboth{musical}{symbols} \label{fdsym-music} \begin{tabular}{*3{ll}} \K[\FDSYMflat]\flat & \K[\FDSYMnatural]\natural & \K[\FDSYMsharp]\sharp \\ \end{tabular} \end{symtable} \begin{symtable}[BSK]{\BSK\ Musical Symbols} \idxboth{musical}{symbols} \label{bsk-music} \begin{tabular}{*3{ll}} \K[\BSKflat]\flat & \K[\BSKnatural]\natural & \K[\BSKsharp]\sharp \\ \end{tabular} \end{symtable} \begin{symtable}[STIX]{\STIX\ Musical Symbols} \idxboth{musical}{symbols} \label{stix-music} \begin{tabular}{*3{ll}} \K[\STIXeighthnote]\eighthnote & \K[\STIXnatural]\natural & \K[\STIXsharp]\sharp \\ \K[\STIXflat]\flat & \K[\STIXquarternote]\quarternote & \K[\STIXtwonotes]\twonotes \\ \end{tabular} \end{symtable} \begin{symtable}[AREV]{\AREV\ Musical Symbols} \idxboth{musical}{symbols} \label{arev-music} \begin{tabular}{ll@{\qquad}ll@{\qquad}ll} \K[\AREVquarternote]\quarternote & \K[\AREVeighthnote]\eighthnote & \K[\AREVsixteenthnote]\sixteenthnote \\ \end{tabular} \end{symtable} \begin{symtable}[UTFSYM]{\UTFSYM\ Musical Symbols} \idxboth{musical}{symbols} \label{utfsym-music} \begin{tabularx}{\linewidth}{% ll>{\raggedright\arraybackslash}X @{\qquad} ll>{\raggedright\arraybackslash}X } \Tutfsym{2669}{quarter note} & \Tutfsym{266F}{music sharp sign} \\ \Tutfsym{266A}{eighth note} & \Tutfsym{1F39C}{beamed ascending musical notes} \\ \Tutfsym{266B}{beamed eighth notes} & \Tutfsym{1F39D}{beamed descending musical notes} \\ \Tutfsym{266C}{beamed sixteenth notes} & \Tutfsym{1F3B5}{musical note} \\ \Tutfsym{266D}{music flat sign} & \Tutfsym{1F3B6}{multiple musical notes} \\ \Tutfsym{266E}{music natural sign} & \Tutfsym{1F3BC}{musical score} \\ \end{tabularx} \bigskip \begin{tablenote} \utfsymmessage. \end{tablenote} \end{symtable} \begin{longsymtable}[MSX]{\MSX\ Musical Symbols} \ltindex{clefs} \ltindex{alla breve} \ltindex{cut time} \ltindex{musical meters} \label{musixtex-music} \renewcommand{\arraystretch}{1.75} % Prevent tall symbols from touching. \begin{longtable}{*2{ll@{\qqquad}}ll} \multicolumn{6}{l}{\small\textit{(continued from previous page)}} \\[1ex] \endhead \endfirsthead \\[3ex] \multicolumn{6}{r}{\small\textit{(continued on next page)}} \endfoot \endlastfoot \K[\MSXallabreve]\allabreve & \K[\MSXlsf]\lsf & \K[\MSXshake]\shake \\ \K[\MSXaltoclef]\altoclef & \K[\MSXlsfz]\lsfz & \K[\MSXShake]\Shake \\ \K[\MSXbackturn]\backturn & \K[\MSXmaxima]\maxima & \K[\MSXShakel]\Shakel \\ \K[\MSXbassclef]\bassclef & \K[\MSXmeterplus]\meterplus & \K[\MSXShakene]\Shakene \\ \K[\MSXcaesura]\caesura & \K[\MSXmordent]\mordent & \K[\MSXShakenw]\Shakenw \\ \K[\MSXcoda]\coda & \K[\MSXMordent]\Mordent & \K[\MSXShakesw]\Shakesw \\ \K[\MSXCoda]\Coda & \K[\MSXPAUSe]\PAUSe & \K[\MSXsmallaltoclef]\smallaltoclef \\ \K[\MSXDep]\Dep & \K[\MSXPAuse]\PAuse & \K[\MSXsmallbassclef]\smallbassclef \\ \K[\MSXdoublethumb]\doublethumb & \K[\MSXpause]\pause & \K[\MSXsmalltrebleclef]\smalltrebleclef \\ \K[\MSXdownbow]\downbow & \K[\MSXPed]\Ped & \K[\MSXsPed]\sPed \\ \K[\MSXds]\ds & \K[\MSXqp]\qp & \K[\MSXtrebleclef]\trebleclef \\ \K[\MSXduevolte]\duevolte & \K[\MSXqqs]\qqs & \K[\MSXtrill]\trill \\ \K[\MSXfermatadown]\fermatadown & \K[\MSXqs]\qs & \K[\MSXturn]\turn \\ \K[\MSXfermataup]\fermataup & \K[\MSXreverseallabreve]\reverseallabreve & \K[\MSXupbow]\upbow \\ \K[\MSXflageolett]\flageolett & \K[\MSXreverseC]\reverseC & \K[\MSXusf]\usf \\ \K[\MSXhpause]\hpause & \K[\MSXsDep]\sDep & \K[\MSXusfz]\usfz \\ \K[\MSXhs]\hs & \K[\MSXSegno]\Segno & \K[\MSXwq]\wq \\ \K[\MSXlonga]\longa & \K[\MSXsegno]\segno & \K[\MSXwqq]\wqq \\ \end{longtable} \bigskip \begin{tablenote} All of these symbols are intended to be used in the context of typesetting musical scores. \seedocs{\MSX}. \end{tablenote} \end{longsymtable} \begin{symtable}[MSX]{\MSX\ Alternative Clefs} \idxboth{musical}{symbols} \index{Gregorian music} \index{liturgical music} \index{clefs} \index{percussion} \label{musixtex-clefs} \renewcommand{\arraystretch}{1.75} % Prevent tall symbols from touching. \begin{tabular}{ll@{\qquad}ll} \K[\MSXdrumclef]\drumclef & \K[\MSXgregorianFclef]\gregorianFclef \\ \K[\MSXgregorianCclef]\gregorianCclef & \K[\MSXoldGclef]\oldGclef \\ \end{tabular} \bigskip \begin{tablenote} In addition to \MSX, \cmdI[\string\MSXdrumclef]{\drumclef} requires the \pkgname[pkg=musixtex]{musixper} package; \cmdI[\string\MSXoldGclef]{\oldGclef} requires the \pkgname[pkg=musixtex]{musixlit} package; and both \cmdI[\string\MSXgregorianCclef]{\gregorianCclef} and \cmdI[\string\MSXgregorianFclef]{\gregorianFclef} require the \pkgname[pkg=musixtex]{musixgre} package. Together with \MSX, these packages provide a complete system for typesetting percussion notation (\pkgname[pkg=musixtex]{musixper}), liturgical music (\pkgname[pkg=musixtex]{musixlit}), and Gregorian chants (\pkgname[pkg=musixtex]{musixgre}, including the staffs and all of the necessary neumes\index{neumes}. \seedocs{\MSX}. \end{tablenote} \end{symtable} \begin{symtable}[HARM]{\HARM\ Musical Symbols} \idxboth{musical}{symbols} \index{whole note=whole note (\Ganz)} \index{whole note rest=whole note rest (\GaPa)} \index{half note=half note (\Halb)} \index{half note rest=half note rest (\HaPa)} \index{quarter note=quarter note (\Vier)} \index{quarter note rest=quarter note rest (\ViPa)} \index{eighth note=eighth note (\Acht)} \index{eighth note rest=eighth note rest (\AcPa)} \index{sixteenth note=sixteenth note (\Sech)} \index{sixteenth note rest=sixteenth note rest (\SePa)} \index{thirty-second note=thirty-second note (\Zwdr)} \index{thirty-second note rest=thirty-second note rest (\ZwPa)} \label{harmony-music} \begin{indexingoff} \begin{tabular}{*4{ll@{\qqquad}}ll} \K\AAcht & \K\DDohne & \K\Halb & \K\SechBR & \K\VM \\ \K\Acht & \K\Dohne & \K\HaPa & \K\SechBr & \K\Zwdr \\ \K\AchtBL & \K\Ds & \K\Pu & \K\SePa & \K\ZwPa \\ \K\AchtBR & \K\DS & \K\Sech & \K\UB & \\ \K\AcPa & \K\Ganz & \K\SechBL & \K\Vier & \\ \K\DD & \K\GaPa & \K\SechBl & \K\ViPa & \\ \end{tabular} \end{indexingoff} \bigskip \begin{tablenote} \seepackagenote{HARM}{harmony}. \end{tablenote} \end{symtable} \begin{symtable}[MUSICOG]{\MUSICOG\ Musical Symbols} \idxboth{musical}{symbols} \label{musicography-music} \begin{tabular}{*2{ll@{\qqquad}}ll} \K\musDoubleFlat & \K\musNatural & \K\musSixtyFourth \\ \K\musDoubleSharp & \K\musQuarter & \K\musSixtyFourthDotted \\ \K\musEighth & \K\musQuarterDotted & \K\musThirtySecond \\ \K\musEighthDotted & \K\musSegno & \K\musThirtySecondDotted \\ \K\musFlat & \K\musSharp & \K\musWhole \\ \K\musHalf & \K\musSixteenth & \K\musWholeDotted \\ \K\musHalfDotted & \K\musSixteenthDotted & \\ \end{tabular} \bigskip \begin{tablenote} \MUSICOG\ defines \cmdI{\fl}, \cmdI{\sh}, and \cmdI{\na} as shorthands for \cmdI{\musFlat}, \cmdI{\musSharp}, and \cmdI{\musNatural}, respectively. It also defines \cmdI{\musCorchea} as an alias for \cmdI{\musEighth}, \cmdI{\musCorcheaDotted} as an alias for \cmdI{\musEighthDotted}, \cmdI{\musFusa} as an alias for \cmdI{\musEighth}, \cmdI{\musFusaDotted} as an alias for \cmdI{\musEighthDotted}, \cmdI{\musMinim} as an alias for \cmdI{\musHalf}, \cmdI{\musMinimDotted} as an alias for \cmdI{\musHalfDotted}, \cmdI{\musSemibreve} as an alias for \cmdI{\musWhole}, \cmdI{\musSemibreveDotted} as an alias for \cmdI{\musWholeDotted}, \cmdI{\musSemiminim} as an alias for \cmdI{\musQuarter}, and \cmdI{\musSeminiminimDotted} as an alias for \cmdI{\musQuarterDotted}. \seepackagenote[also ]{MUSICOG}{musicography}. \end{tablenote} \end{symtable} \begin{symtable}[MUSICOG]{\MUSICOG\ Time Signatures} \idxboth{musical}{symbols} \index{time signatures} \index{alla breve} \index{cut time} \index{musical meters} \label{musicography-time-sig} \renewcommand{\arraystretch}{1.25} % Prevent tall symbols from touching. \begin{tabular}{*2{ll@{\qqquad}}ll} \K\meterC & \K\meterCThreeTwo & \K\meterCZ \\ \K\meterCThree & \K\meterCutC & \K\meterO \\ \end{tabular} \bigskip \begin{tablenote} Other time signatures can be specified with \cmd{\musMeter}, as in \vspace{-\baselineskip} \begin{center} \verb|\musMeter{2}{4}| \quad $\rightarrow$ \quad \musMeter{2}{4} \end{center} \seepackagenote[also ]{MUSICOG}{musicography}. \end{tablenote} \end{symtable} \begin{symtable}[HARM]{\HARM\ Musical Accents} \idxboth{musical}{symbols} \index{accents} \index{time signatures} \index{alla breve} \index{cut time} \label{harmony-accents} \renewcommand{\arraystretch}{1.6} % Prevent tall symbols from touching. \begin{tabular}{ll@{\qqquad}ll} \Q\Ferli$^*$ & \Q\Ohne$^*$ \\ \Q\Fermi & \Q\Umd$^*$ \\ \Qc\Kr & \\ \end{tabular} \bigskip \begin{tablenote} In addition to the accents shown above, \cmd{\HH} is a special accent command that accepts five period-separated characters and typesets them such that ``\verb|\HH.X.a.b.c.d.|'' produces ``\harmHH.X.a.b.c.d.''. All arguments except the first can be omitted: ``\verb|\HH.X.....|'' produces ``\harmHH.X.....''. \cmd{\Takt} takes two arguments and composes them into a musical time signature. For example, ``\verb|\Takt{12}{8}|'' produces ``\Takt{12}{8}''. As two special cases, ``\verb|\Takt{c}{0}|'' produces ``\Takt{c}{0}'' and ``\verb|\Takt{c}{1}|'' produces ``\Takt{c}{1}''. \seepackagenote[also ]{HARM}{harmony}. \end{tablenote} \bigskip \begin{tablenote}[*] These symbols take an optional argument which shifts the accent either horizontally or vertically (depending on the command) by the given distance. \end{tablenote} \end{symtable} \begin{longsymtable}[LILY]{\LILY\ Single Notes} \label{lily-notes} \begin{longtable}{*2{ll}} \multicolumn{4}{l}{\small\textit{(continued from previous page)}} \\[1ex] \endhead \endfirsthead \\[3ex] \multicolumn{4}{r}{\small\textit{(continued on next page)}} \endfoot \endlastfoot \K\eighthNote & \K\quarterNoteDottedDown \\ \K\eighthNoteDotted & \K\quarterNoteDown \\ \K\eighthNoteDottedDouble & \K\sixteenthNote \\ \K\eighthNoteDottedDoubleDown & \K\sixteenthNoteDotted \\ \K\eighthNoteDottedDown & \K\sixteenthNoteDottedDouble \\ \K\eighthNoteDown & \K\sixteenthNoteDottedDoubleDown \\ \K\halfNote & \K\sixteenthNoteDottedDown \\ \K\halfNoteDotted & \K\sixteenthNoteDown \\ \K\halfNoteDottedDouble & \K\thirtysecondNote \\ \K\halfNoteDottedDoubleDown & \K\thirtysecondNoteDotted \\ \K\halfNoteDottedDown & \K\thirtysecondNoteDottedDouble \\ \K\halfNoteDown & \K\thirtysecondNoteDottedDoubleDown \\ \K\quarterNote & \K\thirtysecondNoteDottedDown \\ \K\quarterNoteDotted & \K\thirtysecondNoteDown \\ \K\quarterNoteDottedDouble & \K\wholeNote \\ \K\quarterNoteDottedDoubleDown & \K\wholeNoteDotted \\ \end{longtable} \LILY\ defines synonyms for all of the preceding symbols: \begin{longtable}{*2{ll}} \multicolumn{4}{l}{\small\textit{(continued from previous page)}} \\[1ex] \endhead \endfirsthead \\[3ex] \multicolumn{4}{r}{\small\textit{(continued on next page)}} \endfoot \endlastfoot \K\crotchet & \K\minimDottedDown \\ \K\crotchetDotted & \K\minimDown \\ \K\crotchetDottedDouble & \K\quaver \\ \K\crotchetDottedDoubleDown & \K\quaverDotted \\ \K\crotchetDottedDown & \K\quaverDottedDouble \\ \K\crotchetDown & \K\quaverDottedDoubleDown \\ \K\demisemiquaver & \K\quaverDottedDown \\ \K\demisemiquaverDotted & \K\quaverDown \\ \K\demisemiquaverDottedDouble & \K\semibreve \\ \K\demisemiquaverDottedDoubleDown & \K\semibreveDotted \\ \K\demisemiquaverDottedDown & \K\semiquaver \\ \K\demisemiquaverDown & \K\semiquaverDotted \\ \K\minim & \K\semiquaverDottedDouble \\ \K\minimDotted & \K\semiquaverDottedDoubleDown \\ \K\minimDottedDouble & \K\semiquaverDottedDown \\ \K\minimDottedDoubleDown & \K\semiquaverDown \\ \end{longtable} \end{longsymtable} \begin{symtable}[LILY]{\LILY\ Beamed Notes} \idxboth{musical}{symbols} \renewcommand{\arraystretch}{1.5} % Prevent tall symbols from touching. \begin{tabular}{*2{ll}} \K\twoBeamedQuavers & \K\threeBeamedQuaversII \\ \K\threeBeamedQuavers & \K\threeBeamedQuaversIII \\ \K\threeBeamedQuaversI & \\ \end{tabular} \end{symtable} \begin{symtable}[LILY]{\LILY\ Clefs} \idxboth{musical}{symbols} \index{clefs} \label{lily-clefs} \begin{tabular}{ll@{\qquad}ll@{\qquad}ll} \K\clefC & \K\clefF & \K\clefG \\ \end{tabular} \bigskip \begin{tablenote} Each of these symbols provides a smaller, ``inline'' form (\cmd{\clefCInline}, \cmd{\clefFInline}, and \cmd{\clefGInline}, respectively) intended for use within a paragraph. \seedocs{\LILY}. \end{tablenote} \end{symtable} \begin{symtable}[LILY]{\LILY\ Time Signatures} \idxboth{musical}{symbols} \index{time signatures} \index{alla breve} \index{cut time} \label{lily-time} \begin{tabular}{ll@{\qquad}ll} \K\lilyTimeC & \K\lilyTimeCHalf \\ \end{tabular} \bigskip \begin{tablenote} \LILY\ also provides a \cmd{\lilyTimeSignature} command that lets a user typeset single and compound time signatures by specifying a numerator and a denominator. \seedocs{\LILY}. \end{tablenote} \end{symtable} \begin{symtable}[LILY]{\LILY\ Accidentals} \idxboth{musical}{symbols} \subindex{arrows}{on musical accidentals} \label{lily-accidentals} \renewcommand{\arraystretch}{1.5} % Try to even out the line spacing a bit. \begin{tabular}{*2{ll}} \K\doublesharp & \K\sharpArrowdown \\ \K[\LILYflat]\flat & \K\sharpArrowup \\ \K\flatflat & \K\sharpSlashslashslashStem \\ \K[\LILYnatural]\natural & \K\sharpSlashslashslashStemstem \\ \K[\LILYsharp]\sharp & \K\sharpSlashslashStem \\ \K\sharpArrowboth & \K\sharpSlashslashStemstemstem \\ \end{tabular} \end{symtable} \begin{symtable}[LILY]{\LILY\ Rests} \idxboth{musical}{symbols} \label{lily-rests} \begin{tabular}{*2{ll}} \K\crotchetRest & \K\quaverRestDotted \\ \K\crotchetRestDotted & \K\semiquaverRest \\ \K\halfNoteRest & \K\semiquaverRestDotted \\ \K\halfNoteRestDotted & \K\wholeNoteRest \\ \K\quaverRest & \K\wholeNoteRestDotted \\ \end{tabular} \bigskip \begin{tablenote} Multiply dotted rests can be produced with the \cmd{\lilyPrintMoreDots} command. \seedocs{\LILY}. \end{tablenote} \end{symtable} \begin{symtable}[LILY]{\LILY\ Dynamics Letters} \index{forte=forte (\LILYdyn{-1pt}{f})} \index{mezzo=mezzo (\LILYdyn{0pt}{m})} \index{piano=piano (\LILYdyn{-2pt}{p})} \index{rinforzando=rinforzando (\lilyRF)} \index{rinforzando=rinforzando (\lilyRFZ)} \idxboth{musical}{symbols} \label{lily-dyn-alpha} \begin{tabular}{ll@{\qquad}ll} \Tld{-2pt}{f} & \Tld{0pt}{r} \\ \Tld{-2pt}{p} & \Tld{0pt}{s} \\ \Tld{0pt}{m} & \Tld{0pt}{z} \\[3ex] \K\lilyRF & \K\lilyRFZ \\ \end{tabular} \bigskip \begin{tablenote} These letters and the digits~0--9 are the only alphanumerics defined by \LILY's underlying \PSfont{Emmentaler} fonts. \end{tablenote} \end{symtable} \begin{symtable}[LILY]{\LILY\ Dynamics Symbols} \idxboth{musical}{symbols} \label{lily-dyn-sym} \begin{tabular}{ll@{\qqquad}ll} \K\crescHairpin & \K\decrescHairpin \\ \end{tabular} \end{symtable} \begin{symtable}[LILY]{\LILY\ Articulations} \index{thumb pizzicato=thumb pizzicato (\lilyThumb)} \idxboth{musical}{symbols} \label{lily-articulations} \begin{tabular}{*3{ll}} \K\lilyAccent & \K\marcato & \K\staccatissimo \\ \K\lilyEspressivo & \K\marcatoDown & \K\tenuto \\ \K\lilyStaccato & \K\portato & \\ \K\lilyThumb & \K\portatoDown & \\ \end{tabular} \end{symtable} \begin{symtable}[LILY]{\LILY\ Scripts} \idxboth{musical}{symbols} \label{lily-scripts} \begin{tabular}{ll} \K\fermata \end{tabular} \end{symtable} \begin{symtable}[LILY]{\LILY\ Accordion Notation} \index{accordion notation} \idxboth{musical}{symbols} \label{lily-accordion} \begin{tabular}{*3{ll}} \K\accordionBayanBass & \K\accordionOldEE & \K\accordionStdBass \\ \K\accordionDiscant & \K\accordionPull & \\ \K\accordionFreeBass & \K\accordionPush & \\ \end{tabular} \end{symtable} \begin{symtable}[LILY]{\LILY\ Named Time Signatures} \idxboth{musical}{symbols} \index{time signatures} \index{alla breve} \index{cut time} \label{lily-gen-timesig} \begin{tabular}{*2{ll}} \Tlg{timesig.C22} & \Tlg{timesig.mensural98} \\ \Tlg{timesig.C44} & \Tlg{timesig.neomensural22} \\ \Tlg{timesig.mensural22} & \Tlg{timesig.neomensural24} \\ \Tlg{timesig.mensural24} & \Tlg{timesig.neomensural32} \\ \Tlg{timesig.mensural32} & \Tlg{timesig.neomensural34} \\ \Tlg{timesig.mensural34} & \Tlg{timesig.neomensural44} \\ \Tlg{timesig.mensural44} & \Tlg{timesig.neomensural48} \\ \Tlg{timesig.mensural48} & \Tlg{timesig.neomensural64} \\ \Tlg{timesig.mensural64} & \Tlg{timesig.neomensural68} \\ \Tlg{timesig.mensural68} & \Tlg{timesig.neomensural68alt} \\ \Tlg{timesig.mensural68alt} & \Tlg{timesig.neomensural94} \\ \Tlg{timesig.mensural94} & \Tlg{timesig.neomensural98} \\ \end{tabular} \bigskip \begin{tablenote} \LILY\ defines shorter names for a few of these symbols. See \vref{lily-time}. \end{tablenote} \end{symtable} \begin{longsymtable}[LILY]{\LILY\ Named Scripts} \ltindex{arrows} \label{lily-gen-scripts} \begin{longtable}{*2{ll}} \multicolumn{4}{l}{\small\textit{(continued from previous page)}} \\[1ex] \endhead \endfirsthead \\[3ex] \multicolumn{4}{r}{\small\textit{(continued on next page)}} \endfoot \endlastfoot \Tlg{scripts.arpeggio} & \Tlg{scripts.prallmordent} \\ \Tlg{scripts.arpeggio.arrow.1} & \Tlg{scripts.prallprall} \\ \Tlg{scripts.arpeggio.arrow.M1} & \Tlg{scripts.prallup} \\ \Tlg{scripts.augmentum} & \Tlg{scripts.rcomma} \\ \Tlg{scripts.barline.kievan} & \Tlg{scripts.reverseturn} \\ \Tlg{scripts.caesura.curved} & \Tlg{scripts.rvarcomma} \\ \Tlg{scripts.caesura.straight} & \Tlg{scripts.segno} \\ \Tlg{scripts.circulus} & \Tlg{scripts.sforzato} \\ \Tlg{scripts.coda} & \Tlg{scripts.snappizzicato} \\ \Tlg{scripts.daccentus} & \Tlg{scripts.staccato} \\ \Tlg{scripts.dfermata} & \Tlg{scripts.stopped} \\ \Tlg{scripts.dlongfermata} & \Tlg{scripts.tenuto} \\ \Tlg{scripts.dmarcato} & \Tlg{scripts.thumb} \\ \Tlg{scripts.downbow} & \Tlg{scripts.tickmark} \\ \Tlg{scripts.downmordent} & \Tlg{scripts.trilelement} \\ \Tlg{scripts.downprall} & \Tlg{scripts.trill} \\ \Tlg{scripts.dpedalheel} & \Tlg{scripts.trill_element} \\ \Tlg{scripts.dpedaltoe} & \Tlg{scripts.turn} \\ \Tlg{scripts.dportato} & \Tlg{scripts.uaccentus} \\ \Tlg{scripts.dsemicirculus} & \Tlg{scripts.ufermata}$^*$ \\ \Tlg{scripts.dshortfermata} & \Tlg{scripts.ulongfermata} \\ \Tlg{scripts.dsignumcongruentiae} & \Tlg{scripts.umarcato} \\ \Tlg{scripts.dstaccatissimo} & \Tlg{scripts.upbow} \\ \Tlg{scripts.dverylongfermata} & \Tlg{scripts.upedalheel} \\ \Tlg{scripts.espr} & \Tlg{scripts.upedaltoe} \\ \Tlg{scripts.flageolet} & \Tlg{scripts.upmordent} \\ \Tlg{scripts.halfopen} & \Tlg{scripts.uportato} \\ \Tlg{scripts.halfopenvertical} & \Tlg{scripts.upprall} \\ \Tlg{scripts.ictus} & \Tlg{scripts.usemicirculus} \\ \Tlg{scripts.lcomma} & \Tlg{scripts.ushortfermata} \\ \Tlg{scripts.lineprall} & \Tlg{scripts.usignumcongruentiae} \\ \Tlg{scripts.lvarcomma} & \Tlg{scripts.ustaccatissimo} \\ \Tlg{scripts.mordent} & \Tlg{scripts.uverylongfermata} \\ \Tlg{scripts.open} & \Tlg{scripts.varcoda} \\ \Tlg{scripts.prall} & \Tlg{scripts.varsegno} \\ \Tlg{scripts.pralldown} & \\ \end{longtable} \bigskip \begin{tablenote}[*] \LILY\ defines \cmd{\fermata} as a shorter name than \verb|\lilyGlyph{scripts.ufermata}| for ``\fermata''. See \vref{lily-scripts}. \end{tablenote} \end{longsymtable} \begin{symtable}[LILY]{\LILY\ Named Rests} \idxboth{musical}{symbols} \label{lily-gen-rests} \begin{tabular}{*2{ll}} \Tlg{rests.0} & \Tlg{rests.4mensural} \\ \Tlg{rests.0mensural} & \Tlg{rests.4neomensural} \\ \Tlg{rests.0neomensural} & \Tlg{rests.5} \\ \Tlg{rests.0o}$^*$ & \Tlg{rests.6} \\ \Tlg{rests.1} & \Tlg{rests.7} \\ \Tlg{rests.1mensural} & \Tlg{rests.M1} \\ \Tlg{rests.1neomensural} & \Tlg{rests.M1mensural} \\ \Tlg{rests.1o}$^*$ & \Tlg{rests.M1neomensural} \\ \Tlg{rests.2}$^*$ & \Tlg{rests.M1o} \\ \Tlg{rests.2classical} & \Tlg{rests.M2} \\ \Tlg{rests.2mensural} & \Tlg{rests.M2mensural} \\ \Tlg{rests.2neomensural} & \Tlg{rests.M2neomensural} \\ \Tlg{rests.3}$^*$ & \Tlg{rests.M3} \\ \Tlg{rests.3mensural} & \Tlg{rests.M3mensural} \\ \Tlg{rests.3neomensural} & \Tlg{rests.M3neomensural} \\ \Tlg{rests.4}$^*$ & \\ \end{tabular} \bigskip \begin{tablenote}[*] \LILY\ defines shorter names for these symbols. See \vref{lily-rests}. \end{tablenote} \end{symtable} \begin{symtable}[LILY]{\LILY\ Named Pedals} \idxboth{musical}{symbols} \label{lily-gen-pedals} \begin{tabular}{ll@{\qquad}ll} \Tlg{pedal.*} & \Tlg{pedal.M} \\ \Tlg{pedal..} & \Tlg{pedal.P} \\ \Tlg{pedal.d} & \Tlg{pedal.Ped} \\ \Tlg{pedal.e} & \\ \end{tabular} \end{symtable} \begin{symtable}[LILY]{\LILY\ Named Flags} \idxboth{musical}{symbols} \label{lily-gen-flags} \begin{tabular}{*2{ll}} \Tlg{flags.d3} & \Tlg{flags.mensuralu03} \\ \Tlg{flags.d4} & \Tlg{flags.mensuralu04} \\ \Tlg{flags.d5} & \Tlg{flags.mensuralu05} \\ \Tlg{flags.d6} & \Tlg{flags.mensuralu06} \\ \Tlg{flags.d7} & \Tlg{flags.mensuralu13} \\ \Tlg{flags.dgrace} & \Tlg{flags.mensuralu14} \\ \Tlg{flags.mensurald03} & \Tlg{flags.mensuralu15} \\ \Tlg{flags.mensurald04} & \Tlg{flags.mensuralu16} \\ \Tlg{flags.mensurald05} & \Tlg{flags.mensuralu23} \\ \Tlg{flags.mensurald06} & \Tlg{flags.mensuralu24} \\ \Tlg{flags.mensurald13} & \Tlg{flags.mensuralu25} \\ \Tlg{flags.mensurald14} & \Tlg{flags.mensuralu26} \\ \Tlg{flags.mensurald15} & \Tlg{flags.u3} \\ \Tlg{flags.mensurald16} & \Tlg{flags.u4} \\ \Tlg{flags.mensurald23} & \Tlg{flags.u5} \\ \Tlg{flags.mensurald24} & \Tlg{flags.u6} \\ \Tlg{flags.mensurald25} & \Tlg{flags.u7} \\ \Tlg{flags.mensurald26} & \Tlg{flags.ugrace} \\ \end{tabular} \end{symtable} \begin{symtable}[LILY]{\LILY\ Named Custodes} \idxboth{musical}{symbols} \label{lily-gen-custodes} \begin{tabular}{ll@{\qquad}ll} \Tlg{custodes.hufnagel.d0} & \Tlg{custodes.mensural.d0} \\ \Tlg{custodes.hufnagel.d1} & \Tlg{custodes.mensural.d1} \\ \Tlg{custodes.hufnagel.d2} & \Tlg{custodes.mensural.d2} \\ \Tlg{custodes.hufnagel.u0} & \Tlg{custodes.mensural.u0} \\ \Tlg{custodes.hufnagel.u1} & \Tlg{custodes.mensural.u1} \\ \Tlg{custodes.hufnagel.u2} & \Tlg{custodes.mensural.u2} \\ \Tlg{custodes.medicaea.d0} & \Tlg{custodes.vaticana.d0} \\ \Tlg{custodes.medicaea.d1} & \Tlg{custodes.vaticana.d1} \\ \Tlg{custodes.medicaea.d2} & \Tlg{custodes.vaticana.d2} \\ \Tlg{custodes.medicaea.u0} & \Tlg{custodes.vaticana.u0} \\ \Tlg{custodes.medicaea.u1} & \Tlg{custodes.vaticana.u1} \\ \Tlg{custodes.medicaea.u2} & \Tlg{custodes.vaticana.u2} \\ \end{tabular} \end{symtable} \begin{longsymtable}[LILY]{\LILY\ Named Clefs} \ltindex{clefs} \label{lily-gen-clefs} \begin{longtable}{*2{ll}} \multicolumn{4}{l}{\small\textit{(continued from previous page)}} \\[1ex] \endhead \endfirsthead \\[3ex] \multicolumn{4}{r}{\small\textit{(continued on next page)}} \endfoot \endlastfoot \Tlg{clefs.blackmensural.c} & \Tlg{clefs.mensural.g_change} \\ \Tlg{clefs.blackmensural.c_change} & \Tlg{clefs.neomensural.c} \\ \Tlg{clefs.C}$^*$ & \Tlg{clefs.neomensural.c_change} \\ \Tlg{clefs.C_change}$^*$ & \Tlg{clefs.percussion} \\ \Tlg{clefs.F}$^*$ & \Tlg{clefs.percussion_change} \\ \Tlg{clefs.F_change}$^*$ & \Tlg{clefs.petrucci.c1} \\ \Tlg{clefs.G}$^*$ & \Tlg{clefs.petrucci.c1_change} \\ \Tlg{clefs.G_change}$^*$ & \Tlg{clefs.petrucci.c2} \\ \Tlg{clefs.hufnagel.do} & \Tlg{clefs.petrucci.c2_change} \\ \Tlg{clefs.hufnagel.do.fa} & \Tlg{clefs.petrucci.c3} \\ \Tlg{clefs.hufnagel.do.fa_change} & \Tlg{clefs.petrucci.c3_change} \\ \Tlg{clefs.hufnagel.do_change} & \Tlg{clefs.petrucci.c4} \\ \Tlg{clefs.hufnagel.fa} & \Tlg{clefs.petrucci.c4_change} \\ \Tlg{clefs.hufnagel.fa_change} & \Tlg{clefs.petrucci.c5} \\ \Tlg{clefs.kievan.do} & \Tlg{clefs.petrucci.c5_change} \\ \Tlg{clefs.kievan.do_change} & \Tlg{clefs.petrucci.f} \\ \Tlg{clefs.medicaea.do} & \Tlg{clefs.petrucci.f_change} \\ \Tlg{clefs.medicaea.do_change} & \Tlg{clefs.petrucci.g} \\ \Tlg{clefs.medicaea.fa} & \Tlg{clefs.petrucci.g_change} \\ \Tlg{clefs.medicaea.fa_change} & \Tlg{clefs.tab} \\ \Tlg{clefs.mensural.c} & \Tlg{clefs.tab_change} \\ \Tlg{clefs.mensural.c_change} & \Tlg{clefs.vaticana.do} \\ \Tlg{clefs.mensural.f} & \Tlg{clefs.vaticana.do_change} \\ \Tlg{clefs.mensural.f_change} & \Tlg{clefs.vaticana.fa} \\ \Tlg{clefs.mensural.g} & \Tlg{clefs.vaticana.fa_change} \\ \end{longtable} \bigskip \begin{tablenote}[*] \LILY\ defines shorter names for these symbols. See \vref{lily-clefs}. \end{tablenote} \end{longsymtable} \begin{longsymtable}[LILY]{\LILY\ Named Noteheads} \ltindex{crosses} \ltindex{rhombuses} \ltindex{ellipses (ovals)} \ltindex{ovals} \ltindex{squares} \ltindex{rectangles} \ltindex{polygons} \ltindex{triangles} \ltindex{geometric shapes} \label{lily-gen-noteheads} \begin{longtable}{ll} \multicolumn{2}{l}{\small\textit{(continued from previous page)}} \\[1ex] \endhead \endfirsthead \\[3ex] \multicolumn{2}{r}{\small\textit{(continued on next page)}} \endfoot \endlastfoot \Tlg{noteheads.d0doFunk} \\ \Tlg{noteheads.d0fa} \\ \Tlg{noteheads.d0faFunk} \\ \Tlg{noteheads.d0faThin} \\ \Tlg{noteheads.d0miFunk} \\ \Tlg{noteheads.d0reFunk} \\ \Tlg{noteheads.d0tiFunk} \\ \Tlg{noteheads.d1do} \\ \Tlg{noteheads.d1doFunk} \\ \Tlg{noteheads.d1doThin} \\ \Tlg{noteheads.d1doWalker} \\ \Tlg{noteheads.d1fa} \\ \Tlg{noteheads.d1faFunk} \\ \Tlg{noteheads.d1faThin} \\ \Tlg{noteheads.d1faWalker} \\ \Tlg{noteheads.d1miFunk} \\ \Tlg{noteheads.d1re} \\ \Tlg{noteheads.d1reFunk} \\ \Tlg{noteheads.d1reThin} \\ \Tlg{noteheads.d1reWalker} \\ \Tlg{noteheads.d1ti} \\ \Tlg{noteheads.d1tiFunk} \\ \Tlg{noteheads.d1tiThin} \\ \Tlg{noteheads.d1tiWalker} \\ \Tlg{noteheads.d1triangle} \\ \Tlg{noteheads.d2do} \\ \Tlg{noteheads.d2doFunk} \\ \Tlg{noteheads.d2doThin} \\ \Tlg{noteheads.d2doWalker} \\ \Tlg{noteheads.d2fa} \\ \Tlg{noteheads.d2faFunk} \\ \Tlg{noteheads.d2faThin} \\ \Tlg{noteheads.d2faWalker} \\ \Tlg{noteheads.d2kievan} \\ \Tlg{noteheads.d2re} \\ \Tlg{noteheads.d2reFunk} \\ \Tlg{noteheads.d2reThin} \\ \Tlg{noteheads.d2reWalker} \\ \Tlg{noteheads.d2ti} \\ \Tlg{noteheads.d2tiFunk} \\ \Tlg{noteheads.d2tiThin} \\ \Tlg{noteheads.d2tiWalker} \\ \Tlg{noteheads.d2triangle} \\ \Tlg{noteheads.d3kievan} \\ \Tlg{noteheads.dM2} \\ \Tlg{noteheads.dM2blackmensural} \\ \Tlg{noteheads.dM2mensural} \\ \Tlg{noteheads.dM2neomensural} \\ \Tlg{noteheads.dM2semimensural} \\ \Tlg{noteheads.dM3blackmensural} \\ \Tlg{noteheads.dM3mensural} \\ \Tlg{noteheads.dM3neomensural} \\ \Tlg{noteheads.dM3semimensural} \\ \Tlg{noteheads.drM2mensural} \\ \Tlg{noteheads.drM2neomensural} \\ \Tlg{noteheads.drM2semimensural} \\ \Tlg{noteheads.drM3mensural} \\ \Tlg{noteheads.drM3neomensural} \\ \Tlg{noteheads.drM3semimensural} \\ \Tlg{noteheads.s0} \\ \Tlg{noteheads.s0blackmensural} \\ \Tlg{noteheads.s0blackpetrucci} \\ \Tlg{noteheads.s0cross} \\ \Tlg{noteheads.s0diamond} \\ \Tlg{noteheads.s0do} \\ \Tlg{noteheads.s0doThin} \\ \Tlg{noteheads.s0doWalker} \\ \Tlg{noteheads.s0faWalker} \\ \Tlg{noteheads.s0harmonic} \\ \Tlg{noteheads.s0kievan} \\ \Tlg{noteheads.s0la} \\ \Tlg{noteheads.s0laFunk} \\ \Tlg{noteheads.s0laThin} \\ \Tlg{noteheads.s0laWalker} \\ \Tlg{noteheads.s0mensural} \\ \Tlg{noteheads.s0mi} \\ \Tlg{noteheads.s0miMirror} \\ \Tlg{noteheads.s0miThin} \\ \Tlg{noteheads.s0miWalker} \\ \Tlg{noteheads.s0neomensural} \\ \Tlg{noteheads.s0petrucci} \\ \Tlg{noteheads.s0re} \\ \Tlg{noteheads.s0reThin} \\ \Tlg{noteheads.s0reWalker} \\ \Tlg{noteheads.s0slash} \\ \Tlg{noteheads.s0sol} \\ \Tlg{noteheads.s0solFunk} \\ \Tlg{noteheads.s0ti} \\ \Tlg{noteheads.s0tiThin} \\ \Tlg{noteheads.s0tiWalker} \\ \Tlg{noteheads.s0triangle} \\ \Tlg{noteheads.s1} \\ \Tlg{noteheads.s1blackpetrucci} \\ \Tlg{noteheads.s1cross} \\ \Tlg{noteheads.s1diamond} \\ \Tlg{noteheads.s1kievan} \\ \Tlg{noteheads.s1la} \\ \Tlg{noteheads.s1laFunk} \\ \Tlg{noteheads.s1laThin} \\ \Tlg{noteheads.s1laWalker} \\ \Tlg{noteheads.s1mensural} \\ \Tlg{noteheads.s1mi} \\ \Tlg{noteheads.s1miMirror} \\ \Tlg{noteheads.s1miThin} \\ \Tlg{noteheads.s1miWalker} \\ \Tlg{noteheads.s1neomensural} \\ \Tlg{noteheads.s1petrucci} \\ \Tlg{noteheads.s1slash} \\ \Tlg{noteheads.s1sol} \\ \Tlg{noteheads.s1solFunk} \\ \Tlg{noteheads.s2} \\ \Tlg{noteheads.s2blackpetrucci} \\ \Tlg{noteheads.s2cross} \\ \Tlg{noteheads.s2diamond} \\ \Tlg{noteheads.s2harmonic} \\ \Tlg{noteheads.s2la} \\ \Tlg{noteheads.s2laFunk} \\ \Tlg{noteheads.s2laThin} \\ \Tlg{noteheads.s2laWalker} \\ \Tlg{noteheads.s2mensural} \\ \Tlg{noteheads.s2mi} \\ \Tlg{noteheads.s2miFunk} \\ \Tlg{noteheads.s2miMirror} \\ \Tlg{noteheads.s2miThin} \\ \Tlg{noteheads.s2miWalker} \\ \Tlg{noteheads.s2neomensural} \\ \Tlg{noteheads.s2petrucci} \\ \Tlg{noteheads.s2slash} \\ \Tlg{noteheads.s2sol} \\ \Tlg{noteheads.s2solFunk} \\ \Tlg{noteheads.s2xcircle} \\ \Tlg{noteheads.shufnagel.lpes} \\ \Tlg{noteheads.shufnagel.punctum} \\ \Tlg{noteheads.shufnagel.virga} \\ \Tlg{noteheads.sM1} \\ \Tlg{noteheads.sM1blackmensural} \\ \Tlg{noteheads.sM1double} \\ \Tlg{noteheads.sM1kievan} \\ \Tlg{noteheads.sM1mensural} \\ \Tlg{noteheads.sM1neomensural} \\ \Tlg{noteheads.sM1semimensural} \\ \Tlg{noteheads.sM2blackligmensural} \\ \Tlg{noteheads.sM2kievan} \\ \Tlg{noteheads.sM2ligmensural} \\ \Tlg{noteheads.sM2semiligmensural} \\ \Tlg{noteheads.sM3blackligmensural} \\ \Tlg{noteheads.sM3ligmensural} \\ \Tlg{noteheads.sM3semiligmensural} \\ \Tlg{noteheads.smedicaea.inclinatum} \\ \Tlg{noteheads.smedicaea.punctum} \\ \Tlg{noteheads.smedicaea.rvirga} \\ \Tlg{noteheads.smedicaea.virga} \\ \Tlg{noteheads.sr1kievan} \\ \Tlg{noteheads.srM1mensural} \\ \Tlg{noteheads.srM1neomensural} \\ \Tlg{noteheads.srM1semimensural} \\ \Tlg{noteheads.srM2ligmensural} \\ \Tlg{noteheads.srM2semiligmensural} \\ \Tlg{noteheads.srM3ligmensural} \\ \Tlg{noteheads.srM3semiligmensural} \\ \Tlg{noteheads.ssolesmes.auct.asc} \\ \Tlg{noteheads.ssolesmes.auct.desc} \\ \Tlg{noteheads.ssolesmes.incl.auctum} \\ \Tlg{noteheads.ssolesmes.incl.parvum} \\ \Tlg{noteheads.ssolesmes.oriscus} \\ \Tlg{noteheads.ssolesmes.stropha} \\ \Tlg{noteheads.ssolesmes.stropha.aucta} \\ \Tlg{noteheads.svaticana.cephalicus} \\ \Tlg{noteheads.svaticana.epiphonus} \\ \Tlg{noteheads.svaticana.inclinatum} \\ \Tlg{noteheads.svaticana.inner.cephalicus} \\ \Tlg{noteheads.svaticana.linea.punctum} \\ \Tlg{noteheads.svaticana.linea.punctum.cavum} \\ \Tlg{noteheads.svaticana.lpes} \\ \Tlg{noteheads.svaticana.plica} \\ \Tlg{noteheads.svaticana.punctum} \\ \Tlg{noteheads.svaticana.punctum.cavum} \\ \Tlg{noteheads.svaticana.quilisma} \\ \Tlg{noteheads.svaticana.reverse.plica} \\ \Tlg{noteheads.svaticana.reverse.vplica} \\ \Tlg{noteheads.svaticana.upes} \\ \Tlg{noteheads.svaticana.vepiphonus} \\ \Tlg{noteheads.svaticana.vlpes} \\ \Tlg{noteheads.svaticana.vplica} \\ \Tlg{noteheads.svaticana.vupes} \\ \Tlg{noteheads.u0doFunk} \\ \Tlg{noteheads.u0fa} \\ \Tlg{noteheads.u0faFunk} \\ \Tlg{noteheads.u0faThin} \\ \Tlg{noteheads.u0miFunk} \\ \Tlg{noteheads.u0reFunk} \\ \Tlg{noteheads.u0tiFunk} \\ \Tlg{noteheads.u1do} \\ \Tlg{noteheads.u1doFunk} \\ \Tlg{noteheads.u1doThin} \\ \Tlg{noteheads.u1doWalker} \\ \Tlg{noteheads.u1fa} \\ \Tlg{noteheads.u1faFunk} \\ \Tlg{noteheads.u1faThin} \\ \Tlg{noteheads.u1faWalker} \\ \Tlg{noteheads.u1miFunk} \\ \Tlg{noteheads.u1re} \\ \Tlg{noteheads.u1reFunk} \\ \Tlg{noteheads.u1reThin} \\ \Tlg{noteheads.u1reWalker} \\ \Tlg{noteheads.u1ti} \\ \Tlg{noteheads.u1tiFunk} \\ \Tlg{noteheads.u1tiThin} \\ \Tlg{noteheads.u1tiWalker} \\ \Tlg{noteheads.u1triangle} \\ \Tlg{noteheads.u2do} \\ \Tlg{noteheads.u2doFunk} \\ \Tlg{noteheads.u2doThin} \\ \Tlg{noteheads.u2doWalker} \\ \Tlg{noteheads.u2fa} \\ \Tlg{noteheads.u2faFunk} \\ \Tlg{noteheads.u2faThin} \\ \Tlg{noteheads.u2faWalker} \\ \Tlg{noteheads.u2kievan} \\ \Tlg{noteheads.u2re} \\ \Tlg{noteheads.u2reFunk} \\ \Tlg{noteheads.u2reThin} \\ \Tlg{noteheads.u2reWalker} \\ \Tlg{noteheads.u2ti} \\ \Tlg{noteheads.u2tiFunk} \\ \Tlg{noteheads.u2tiThin} \\ \Tlg{noteheads.u2tiWalker} \\ \Tlg{noteheads.u2triangle} \\ \Tlg{noteheads.u3kievan} \\ \Tlg{noteheads.uM2} \\ \Tlg{noteheads.uM2blackmensural} \\ \Tlg{noteheads.uM2mensural} \\ \Tlg{noteheads.uM2neomensural} \\ \Tlg{noteheads.uM2semimensural} \\ \Tlg{noteheads.uM3blackmensural} \\ \Tlg{noteheads.uM3mensural} \\ \Tlg{noteheads.uM3neomensural} \\ \Tlg{noteheads.uM3semimensural} \\ \Tlg{noteheads.urM2mensural} \\ \Tlg{noteheads.urM2neomensural} \\ \Tlg{noteheads.urM2semimensural} \\ \Tlg{noteheads.urM3mensural} \\ \Tlg{noteheads.urM3neomensural} \\ \Tlg{noteheads.urM3semimensural} \\ \end{longtable} \end{longsymtable} \begin{symtable}[LILY]{\LILY\ Named Accordion Symbols} \idxboth{musical}{symbols} \label{lily-gen-accordion} \begin{tabular}{*2{ll}} \Tlg{accordion.bayanbass} & \Tlg{accordion.oldEE} \\ \Tlg{accordion.discant} & \Tlg{accordion.pull} \\ \Tlg{accordion.dot} & \Tlg{accordion.push} \\ \Tlg{accordion.freebass} & \Tlg{accordion.stdbass} \\ \end{tabular} \bigskip \begin{tablenote} \LILY\ defines shorter names for all of these symbols except \verb|\lilyGlyph{accordion.dot}|. See \vref{lily-accordion}. \end{tablenote} \end{symtable} \begin{longsymtable}[LILY]{\LILY\ Named Accidentals} \ltsubindex{arrows}{on musical accidentals} \label{lily-gen-accidentals} \begin{longtable}{ll} \multicolumn{2}{l}{\small\textit{(continued from previous page)}} \\[1ex] \endhead \endfirsthead \\[3ex] \multicolumn{2}{r}{\small\textit{(continued on next page)}} \endfoot \endlastfoot \Tlg{accidentals.doublesharp}$^*$ \\ \Tlg{accidentals.flat}$^*$ \\ \Tlg{accidentals.flat.arrowboth} \\ \Tlg{accidentals.flat.arrowdown} \\ \Tlg{accidentals.flat.arrowup} \\ \Tlg{accidentals.flat.slash} \\ \Tlg{accidentals.flat.slashslash} \\ \Tlg{accidentals.flatflat}$^*$ \\ \Tlg{accidentals.flatflat.slash} \\ \Tlg{accidentals.hufnagelM1} \\ \Tlg{accidentals.kievan1} \\ \Tlg{accidentals.kievanM1} \\ \Tlg{accidentals.leftparen} \\ \Tlg{accidentals.medicaeaM1} \\ \Tlg{accidentals.mensural1} \\ \Tlg{accidentals.mensuralM1} \\ \Tlg{accidentals.mirroredflat} \\ \Tlg{accidentals.mirroredflat.backslash} \\ \Tlg{accidentals.mirroredflat.flat} \\ \Tlg{accidentals.natural}$^*$ \\ \Tlg{accidentals.natural.arrowboth} \\ \Tlg{accidentals.natural.arrowdown} \\ \Tlg{accidentals.natural.arrowup} \\ \Tlg{accidentals.rightparen} \\ \Tlg{accidentals.sharp}$^*$ \\ \Tlg{accidentals.sharp.arrowboth}$^*$ \\ \Tlg{accidentals.sharp.arrowdown}$^*$ \\ \Tlg{accidentals.sharp.arrowup}$^*$ \\ \Tlg{accidentals.sharp.slashslash.stem}$^*$ \\ \Tlg{accidentals.sharp.slashslash.stemstemstem}$^*$ \\ \Tlg{accidentals.sharp.slashslashslash.stem}$^*$ \\ \Tlg{accidentals.sharp.slashslashslash.stemstem}$^*$ \\ \Tlg{accidentals.vaticana0} \\ \Tlg{accidentals.vaticanaM1} \\ \end{longtable} \begin{tablenote}[*] \LILY\ defines shorter names for these symbols. See \vref{lily-accidentals}. \end{tablenote} \end{longsymtable} \begin{symtable}[LILY]{\LILY\ Named Arrowheads} \idxboth{musical}{symbols} \index{arrowheads} \label{lily-gen-arrowheads} \begin{tabular}{*2{ll}} \Tlg{arrowheads.close.01} & \Tlg{arrowheads.open.01} \\ \Tlg{arrowheads.close.0M1} & \Tlg{arrowheads.open.0M1} \\ \Tlg{arrowheads.close.11} & \Tlg{arrowheads.open.11} \\ \Tlg{arrowheads.close.1M1} & \Tlg{arrowheads.open.1M1} \\ \end{tabular} \end{symtable} \begin{symtable}[LILY]{\LILY\ Named Alphanumerics and Punctuation} \index{numerals} \index{forte=forte (\LILYdyn{-1pt}{f})} \index{mezzo=mezzo (\LILYdyn{0pt}{m})} \index{piano=piano (\LILYdyn{-2pt}{p})} \idxboth{musical}{symbols} \label{lily-gen-alphanum} \begin{tabular}{*3{ll}} \Tlg{zero} & \Tlg{four} & \Tlg{eight} \\ \Tlg{one} & \Tlg{five} & \Tlg{nine} \\ \Tlg{two} & \Tlg{six} & \\ \Tlg{three} & \Tlg{seven} & \\[3ex] \Tlg{f} & \Tlg{p} & \Tlg{s} \\ \Tlg{m} & \Tlg{r} & \Tlg{z} \\[3ex] \Tlg{comma} & \Tlg{period} \\ \Tlg{hyphen} & \Tlg{plus} \\ \end{tabular} \bigskip \begin{tablenote} See \vref{lily-dyn-alpha} for an alternative way to typeset dynamics letters. \LILY\ additionally provides a \cmd{\lilyText} command that can be useful for typesetting groups of the preceding symbols. \seedocs{\LILY}. \end{tablenote} \end{symtable} \begin{symtable}[LILY]{Miscellaneous \LILY\ Named Musical Symbols} \idxboth{musical}{symbols} \label{lily-gen-misc} \begin{tabular}{*2{ll}} \Tlg{brackettips.down} & \Tlg{dots.dotvaticana} \\ \Tlg{brackettips.up} & \Tlg{ties.lyric.default} \\ \Tlg{dots.dot} & \Tlg{ties.lyric.short} \\ \Tlg{dots.dotkievan} & \\ \end{tabular} \end{symtable} \begin{symtable}[UTFSYM]{\UTFSYM\ Music Emojis} \index{musical instruments} \index{guitar=guitar (\lucideicon{guitar})} \index{keyboard>musical=musical (\lucideicon{keyboard-music})} \index{musical notes=musical notes (\lucideicon{music-2})} \index{musical notes=musical notes (\lucideicon{music-3})} \index{musical notes=musical notes (\lucideicon{music-4})} \index{musical notes=musical notes (\lucideicon{music})} \index{piano=piano (\lucideicon{piano})} \label{lucide-icons-music} \begin{tabular}{ll@{\qquad}ll} \TLUC{guitar} & \TLUC{music-3} \\ \TLUC{keyboard-music} & \TLUC{music-4} \\ \TLUC{music} & \TLUC{piano} \\ \TLUC{music-2} & \\ \end{tabular} \end{symtable} \begin{symtable}[UTFSYM]{\UTFSYM\ Music Emojis} \index{musical instruments} \label{utfsym-music-inst} \begin{tabular}{lll@{\qquad}lll} \Tutfsym{1F398}{musical keyboard with jacks} & \Tutfsym{1F3B9}{musical keyboard} \\ \Tutfsym{1F399}{studio microphone} & \Tutfsym{1F3BA}{trumpet} \\ \Tutfsym{1F3B7}{saxophone} & \Tutfsym{1F3BB}{violin} \\ \Tutfsym{1F3B8}{guitar} & \Tutfsym{1F4EF}{postal horn} \\ \end{tabular} \end{symtable} \begin{symtable}[TWEM]{\TWEM\ Music Emojis} \index{musical instruments} \label{twemojis-music} \begin{tabular}{*2{ll}} \Ttwem{accordion}{1fa97} & \Ttwem{musical note}{1f3b5} \\ \Ttwem{banjo}{1fa95} & \Ttwem{musical notes}{1f3b6} \\ \Ttwem{drum}{1f941} & \Ttwem{musical score}{1f3bc} \\ \Ttwem{guitar}{1f3b8} & \Ttwem{postal horn}{1f4ef} \\ \Ttwem{headphones}{1f3a7} & \Ttwem{saxophone}{1f3b7} \\ \Ttwem{long drum}{1fa98} & \Ttwem{trumpet}{1f3ba} \\ \Ttwem{microphone}{1f3a4} & \Ttwem{violin}{1f3bb} \\ \Ttwem{musical keyboard}{1f3b9} & \Ttwem{wind chime}{1f390} \\ \end{tabular} \bigskip \begin{tablenote} \twemojismessage. \end{tablenote} \end{symtable} \idxbothend{musical}{symbols}